When you think of the UK's leading baby finger foods and toddler snacks there's one company that comes to mind. Organix have been cooking up scrummy, nutritious baby and toddler meals and snacks since 1992. They had recently gone through an award-winning pack re-design (Roman Klis) and brand positioning work (The Gate London) and invited us in to chat about translating these changes into their work environment.
We noted the packaging and positioning work both had a distinct aesthetic, but the two hadn't been used together yet as part of a broader visual language. We needed to create a look and feel that captured both bodies of existing work while making them feel like one cohesive approach.
By investing time in our emotional responses to different colours we were able to carefully select and apply a relevant colour to each of the Organix core four values – Pioneering, Brave, Honest and Passionate. For each of the four value colours we were able to find a match from the new packaging designs, which felt a natural way to add further visual consistency.
Organix already made subtle visual references to curves, inspired by their 'pod' (the shape that their logo sits in). We ran with this and went curve crazy. We also used it as an opportunity to contrast textures (widely featured on the packaging re-design) and flat colours (widely featured in their positioning work).
To create areas of interest and excitement, draw closer attention and support bigger ideas, we developed a significant body of hand drawn illustrations to work alongside texture, curves, colour and product shots.
When we were first asked to undertake this project, the initial brief was to replicate existing logo and product graphics to go on various walls around their workspace. However, we identified an opportunity to go further and be less prescriptive with the space, adding value beyond brand reinforcement. We identified they have two key audience members – employees and customers – both with differing needs that should be reflected in the finished work. As part of our research, we were able to analyse and develop specific messaging to targeted groups, analyse the footfall and flow of the building and identify how we weight the messaging depending on how each space was likely to be used.
As a visitor ourselves, we identified an opportunity to add some simple wayfinding into the space, to add clarity to your behaviour as a visitor. This was most apparent in the reception area, which presented the opportunity to give clear wayfinding, instruction and company insight.
Throughout the space we created a number of magnetic surfaces, along with a number of magnetic assets enabling spaces to have multiple uses, from bespoke messages to product performance indicators.
Scale is something we experimented with during the design process, creating over-sized graphics and text to make people feel physically small in the various spaces – like how we remember everything was huge when we were kids. Children are encouraged to play (and much less so as adults) and by making people feel physically smaller we wanted to see if we could make people feel like kids again, encouraging fun, playfulness and a loss of inhibitions, therefore giving greater freedom for innovation.
Ryan Perry
Communications Manager